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THE AFTER LIFE OF YOUR GOWN: ALTERNATIVES TO STORING IT IN THE BOX

One of my clients recently asked, 'What do I do with my gown once the wedding is over?"
I suggested she might display the gown in her living room or bedroom on a dress form. I was glad she liked the idea because it roused the spark in me to develop an ongoing series about that, 'What's next?' question all you brides are asking.
Okay, so, let's start with the display idea. Display is actually one way of storing a gown as a soft furnishing that everyone sees. If you have room in your home and are open to a new and unique way of creating a decorating statement, go for it. Displaying your gown on dress form makes for great conversation when folks come over to visit. It also looks pretty. These photos display different ways of arranging a dress form as well as giving you other display ideas. Take into mind these come out of French Nest, a trendy design/antique store here in San Anselmo. The two women who put these displays up are tops in their field and I'm constantly learning from them.

If you have an interesting or antique pair of shoes and don't plan on wearing them anytime soon try this . . .

Not just your bridal jewelry can go on this kind of display.



A fine example of separates dressing (and display). This bodice is actually a Chantilly lace blouse worn over a strapless gown. Can you imagine this stunner New Years Eve over a cami with a black velvet skirt?


This eyelet dress can work well as reusable bridal attire.
Because my clients have been looking for more options on recycling their gowns post wedding, donating or incorporating it into everyday wear is becoming more the eco-conscious thing than storing it in a box. Keep in mind you do have the option of choosing a design you can re-wear. Working your gown into your wardrobe can mean planning separates, elements that can be customized and transformed as double duty pieces. Maybe you’re into cotton and linen. A cotton eyelet dress or linen suit can work well as reusable bridal attire. If you’re drawn to simpler silhouettes in functional fabrics like wool and silk jersey this works too. Knowing how to work a veil with some opera length gloves and the right shoes can really pull a simple dress into a ‘bridal look’. Consequently, the more practical you are, (as opposed to sentimental) the more likely you are to re-wear your gown.

Working your gown into your wardrobe can mean planning separates. This is actually a tulle skirt paired with a white jersey tank top
photo by jellyandtoast


Bassinets in particular intrigue me, they keep the gown sentiment going as a story told through laces and silk. The bulk of the skirt wraps around the bassinet and your veil hangs as a head draping. If you wore a tiara you’ve created a real fairy tale. I’ve actually known brides who have fashioned table runners out of galloons of lace removed from hemlines; others lined shelves in china cabinets with smaller pieces. And don’t laugh. The skirts of some gowns have made some of the most gorgeous tablecloths I’ve ever seen.. Last season a client brought me an exquisite antique tablecloth and asked me to fashion her wedding gown out of it. I was awestruck. First by the cloth. It was an allover and rare Cluny Lace. Ten years ago this would have been considered by most as ‘chintzing it’ on your wedding day whereas these days it is not only applauded but even considered a sentimental gesture—in my client’s case—the tablecloth was lovingly left to her by her great-grandmother.
One of my clients recently asked, 'What do I do with my gown once the wedding is over?"
I suggested she might display the gown in her living room or bedroom on a dress form. I was glad she liked the idea because it roused the spark in me to develop an ongoing series about that, 'What's next?' question all you brides are asking.
Okay, so, let's start with the display idea. Display is actually one way of storing a gown as a soft furnishing that everyone sees. If you have room in your home and are open to a new and unique way of creating a decorating statement, go for it. Displaying your gown on dress form makes for great conversation when folks come over to visit. It also looks pretty. These photos display different ways of arranging a dress form as well as giving you other display ideas. Take into mind these come out of French Nest, a trendy design/antique store here in San Anselmo. The two women who put these displays up are tops in their field and I'm constantly learning from them.

If you have an interesting or antique pair of shoes and don't plan on wearing them anytime soon try this . . .

Not just your bridal jewelry can go on this kind of display.



A fine example of separates dressing (and display). This bodice is actually a Chantilly lace blouse worn over a strapless gown. Can you imagine this stunner New Years Eve over a cami with a black velvet skirt?


This eyelet dress can work well as reusable bridal attire.
Because my clients have been looking for more options on recycling their gowns post wedding, donating or incorporating it into everyday wear is becoming more the eco-conscious thing than storing it in a box. Keep in mind you do have the option of choosing a design you can re-wear. Working your gown into your wardrobe can mean planning separates, elements that can be customized and transformed as double duty pieces. Maybe you’re into cotton and linen. A cotton eyelet dress or linen suit can work well as reusable bridal attire. If you’re drawn to simpler silhouettes in functional fabrics like wool and silk jersey this works too. Knowing how to work a veil with some opera length gloves and the right shoes can really pull a simple dress into a ‘bridal look’. Consequently, the more practical you are, (as opposed to sentimental) the more likely you are to re-wear your gown.

Working your gown into your wardrobe can mean planning separates. This is actually a tulle skirt paired with a white jersey tank top
photo by jellyandtoast


Bassinets in particular intrigue me, they keep the gown sentiment going as a story told through laces and silk. The bulk of the skirt wraps around the bassinet and your veil hangs as a head draping. If you wore a tiara you’ve created a real fairy tale. I’ve actually known brides who have fashioned table runners out of galloons of lace removed from hemlines; others lined shelves in china cabinets with smaller pieces. And don’t laugh. The skirts of some gowns have made some of the most gorgeous tablecloths I’ve ever seen.. Last season a client brought me an exquisite antique tablecloth and asked me to fashion her wedding gown out of it. I was awestruck. First by the cloth. It was an allover and rare Cluny Lace. Ten years ago this would have been considered by most as ‘chintzing it’ on your wedding day whereas these days it is not only applauded but even considered a sentimental gesture—in my client’s case—the tablecloth was lovingly left to her by her great-grandmother.
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STALKING THE LOOK BOOKS: ISABEL ZAPARDIEZ

True to classic style, Basque designer Isabel Zapardiez gave a lesson in good taste on the Madrid Catwalk . 1940s inspired silhouettes became the perfect alloy to wrap the female form in the of air of vintage chic. These fine gauze draped dresses twisted around the waist and sculpt the figure. Check out her use of leather and lace combos. Juxtaposed yet chic . . .







Photos courtesy Vogue Novias
True to classic style, Basque designer Isabel Zapardiez gave a lesson in good taste on the Madrid Catwalk . 1940s inspired silhouettes became the perfect alloy to wrap the female form in the of air of vintage chic. These fine gauze draped dresses twisted around the waist and sculpt the figure. Check out her use of leather and lace combos. Juxtaposed yet chic . . .







Photos courtesy Vogue Novias
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GALA CHIC: OPENING NIGHT AT THE SAN FRANCISCO OPERA

Amber Marie Bently shows off her dress by Skin Graft
Tony and Sandra Go attend the San Francisco Opera Gala

Opening night of the opera in San Francisco has a time-honored tradition for 'Puttin' on the Ritz'. Right up there with Cannes but maybe not as renowned , opening night SF carries remnants of old guard charm and major fashion blitz all at once. Rock stars to royalty fly in from all over the world to attend. Friday, September 11, a gala party kicked off the 2009 season before opera goers attended a performance of Il Trovatore. You'll notice many bridal designers featured here . . . all those gowns we know and love simply switch to technicolor when they come out on nights like this . . .

Guy chic. White Tie/Black Tie



Inside City Hall, guests mingle before sitting down for dinner during opening night.

The Promenade: Guests walk into the War Memorial Opera House during the opening night of the San Francisco Opera on September 11, 2009.


Jennifer Siebel Newsom shows off her dress during the Opera Gala


Mayor Gavin Newsom and wife Jennifer

Deepa Pakianathan wears a dress designed by Naeem Khan

Angelique Griepp wears dress by Oscar de la Renta


Leslie Simpson wears a dress designed by Angel Sanchez

Karen Caldwell wears a dress designed by Lily Samii
Special thanks to Amber Marie Bently and Sandra Go for raising the bar on fashion and daring to go bold this season. A little beyond the fashion curve, for me Bentley's particular edge was the most comfortable seat in the house this opening night. Somewhere between underground and the most quintessential form of couture, she was in that amazing dress by the LA based design house Skin Graft . I'm hoping her gray asymmetrically tiered stunner will open doors to a whole new way of dressing
for gala nights.
Alan Malouf and Arianna Huffington

From left: Marius Carluci, Afsaneh Akhtari, Stephen Silver and Joel Goodrich enjoy the Opera Gala during the opening night of the San Francisco Opera at the War Memorial Building on September 11, 2009.

Amber Marie Bently shows off her dress by Skin Graft
Tony and Sandra Go attend the San Francisco Opera Gala

Opening night of the opera in San Francisco has a time-honored tradition for 'Puttin' on the Ritz'. Right up there with Cannes but maybe not as renowned , opening night SF carries remnants of old guard charm and major fashion blitz all at once. Rock stars to royalty fly in from all over the world to attend. Friday, September 11, a gala party kicked off the 2009 season before opera goers attended a performance of Il Trovatore. You'll notice many bridal designers featured here . . . all those gowns we know and love simply switch to technicolor when they come out on nights like this . . .

Guy chic. White Tie/Black Tie



Inside City Hall, guests mingle before sitting down for dinner during opening night.

The Promenade: Guests walk into the War Memorial Opera House during the opening night of the San Francisco Opera on September 11, 2009.


Jennifer Siebel Newsom shows off her dress during the Opera Gala


Mayor Gavin Newsom and wife Jennifer

Deepa Pakianathan wears a dress designed by Naeem Khan

Angelique Griepp wears dress by Oscar de la Renta


Leslie Simpson wears a dress designed by Angel Sanchez

Karen Caldwell wears a dress designed by Lily Samii
Special thanks to Amber Marie Bently and Sandra Go for raising the bar on fashion and daring to go bold this season. A little beyond the fashion curve, for me Bentley's particular edge was the most comfortable seat in the house this opening night. Somewhere between underground and the most quintessential form of couture, she was in that amazing dress by the LA based design house Skin Graft . I'm hoping her gray asymmetrically tiered stunner will open doors to a whole new way of dressing
for gala nights.
Alan Malouf and Arianna Huffington

From left: Marius Carluci, Afsaneh Akhtari, Stephen Silver and Joel Goodrich enjoy the Opera Gala during the opening night of the San Francisco Opera at the War Memorial Building on September 11, 2009.

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HAPPY ANNIVERSARY JACKIE AND JACK

One of the most iconic women of all time, Jacqueline Bouvier Kennedy possessed grace and style, leaving her indelible stamp on fashion. Her wedding to Senator John F. Kennedy in 1953 was dubbed the Wedding of the Century. Oddly, the gown she wanted would have been simpler and of less fabric, most probably created in Paris. Joseph P. Kennedy's machinations in the way of wedding arrangements along with her mother Janet's, Jackie had neither the dress nor quiet celebration of her choice. Janet's dressmaker, Ann Lowe, was engaged to make Jackie's bridal gown as well as all in the bridal party. Lowe was a very talented African-American designer known for grand entrance gowns detailed with intricate tuck, pleat and trapunto treatments. Amongst her clients were Rockerfellers and Vanderbuilts. Did Lowe suspect Jackie's would be one of the most celebrated gowns in history? We know she probably did expect some publicity. But what would have resulted in $700.00 profit was gone a week before the wedding. Water pipes in Lowe's New York City shop broke and damaged ten out of the sixteen gowns. After buying new fabric, she and her staff burned the midnight oil to finish the gowns on time for the Bouvier/Kennedy Wedding. She lost $2,000.00 in the process


Studying Jackie's dress, for it's day it is not as typical 1950s as some experts have claimed. While off the shoulder gowns were a hot trend circa '53, you didn't find them in too many church ceremonies--especially Catholic ones officiated by an Archbishop. The dress does have some elements harking back to early Victoriana. There were 50 yards of silk taffeta, with a very full circular skirt tucked and pleated (Lowe's specialty). On Jackie's head was her grandmother's rose point lace veil hanging from a circular lace cap festooned with orange blossoms. She pulled her look together with short, white kid gloves (Oh so Jackie).


Jack and Jackie were about as different as two people could be. Yet, together they made a complimentary team as both possessed a high and cultivated intellect. The ommph JFK and Jackie brought to The White House has only been topped by our most recent pres and First Lady.
One of the most iconic women of all time, Jacqueline Bouvier Kennedy possessed grace and style, leaving her indelible stamp on fashion. Her wedding to Senator John F. Kennedy in 1953 was dubbed the Wedding of the Century. Oddly, the gown she wanted would have been simpler and of less fabric, most probably created in Paris. Joseph P. Kennedy's machinations in the way of wedding arrangements along with her mother Janet's, Jackie had neither the dress nor quiet celebration of her choice. Janet's dressmaker, Ann Lowe, was engaged to make Jackie's bridal gown as well as all in the bridal party. Lowe was a very talented African-American designer known for grand entrance gowns detailed with intricate tuck, pleat and trapunto treatments. Amongst her clients were Rockerfellers and Vanderbuilts. Did Lowe suspect Jackie's would be one of the most celebrated gowns in history? We know she probably did expect some publicity. But what would have resulted in $700.00 profit was gone a week before the wedding. Water pipes in Lowe's New York City shop broke and damaged ten out of the sixteen gowns. After buying new fabric, she and her staff burned the midnight oil to finish the gowns on time for the Bouvier/Kennedy Wedding. She lost $2,000.00 in the process


Studying Jackie's dress, for it's day it is not as typical 1950s as some experts have claimed. While off the shoulder gowns were a hot trend circa '53, you didn't find them in too many church ceremonies--especially Catholic ones officiated by an Archbishop. The dress does have some elements harking back to early Victoriana. There were 50 yards of silk taffeta, with a very full circular skirt tucked and pleated (Lowe's specialty). On Jackie's head was her grandmother's rose point lace veil hanging from a circular lace cap festooned with orange blossoms. She pulled her look together with short, white kid gloves (Oh so Jackie).


Jack and Jackie were about as different as two people could be. Yet, together they made a complimentary team as both possessed a high and cultivated intellect. The ommph JFK and Jackie brought to The White House has only been topped by our most recent pres and First Lady.
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WHITE IS CHIC

CLICK TO ENLARGE


This gorgeous display of white comes from EAD and was posted by Elizabeth herself. It says purity as well as simplicity all over. Lots of kudos on this one!

Clockwise from top left: Rosa Clara via nie fiu fiu i nie kiczowato, Aaron Delesie via The Bride’s Cafe, Bellissima Vita, Jenna Hein, Jane Jordan, Rosenow Floral via Brooklyn Bride, Unknown Source (please message if yours), Kimberley Seldon via Desire to Inspire, Whiteport via Perfect Bound
Loving the kind of vintage-mod feel of this one!
CLICK TO ENLARGE


This gorgeous display of white comes from EAD and was posted by Elizabeth herself. It says purity as well as simplicity all over. Lots of kudos on this one!

Clockwise from top left: Rosa Clara via nie fiu fiu i nie kiczowato, Aaron Delesie via The Bride’s Cafe, Bellissima Vita, Jenna Hein, Jane Jordan, Rosenow Floral via Brooklyn Bride, Unknown Source (please message if yours), Kimberley Seldon via Desire to Inspire, Whiteport via Perfect Bound
Loving the kind of vintage-mod feel of this one!
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MORE ON TOPPING IT OFF


I know I'm saturating all my good and patient readers with a high dosage of head chic lately but just wanted to share a couple more stunners my client emailed me last week. She's gathering ideas for her headpiece and I was surprised I hadn't stumbled across some of her finds in my travels around the blogsphere. This piece is 3-4 inch horsehair embellished with feathers, giving a real haute couture touch to your ensemble. Its versatile enough to work with tailored looks like the gown pictured here as well as a more classic and/or romantic gown . . .


I know I'm saturating all my good and patient readers with a high dosage of head chic lately but just wanted to share a couple more stunners my client emailed me last week. She's gathering ideas for her headpiece and I was surprised I hadn't stumbled across some of her finds in my travels around the blogsphere. This piece is 3-4 inch horsehair embellished with feathers, giving a real haute couture touch to your ensemble. Its versatile enough to work with tailored looks like the gown pictured here as well as a more classic and/or romantic gown . . .

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CLOUDS OF TULLE



What could say bridal more than a cloud of soft tulle? Defined, tulle is a fine mesh netting with a hexagonal pattern that comes in silk, cotton, nylon or acrylic/silk for power netting. Tulle is familiar because its the standard material for bridal veils. But did you know it comes in lighter versions and is used in bouffant skirts. The one pictured above proffers that ballerina look Vera Wang popularized a few years back? While the big tulle skirt is classic, edgier versions of late suggest special effects like draping, ruching and pick-up treatments over more modified skirt silhouettes. There are many different tulles and uses of it. Below are some stunning examples.



Vera Wang



Vera Wang loves tulle. This confection is swathed in white tulle over pink rose appliques to look like a parfait. Joyce Young

Florals applied to a tulle skirt and bodice
.
Next three photos show the variations on embroidered tulles
Elie Saab

Donna Salado

Another pink confection using yards of lightweight pink tulle.







David Fielden





The ecru tulle here covers the dress with two different applications: the top is draped and ruched; the skirt, gathered . . .Even the Kronishka on top has small tulle ruffles . . .



Scott Williams Photography
Gown by Amy-Jo Tatum

A hook-on and off tulle overskirt


Jasper Conran

Just the wrap here is tulle. . . .


source

This gorgeous mantilla is tulle bordered with Chantilly lace

Hat by Amy-Jo Tatum



Tulle isn't just for veils. This horsehair picture hat is wrapped entirely in it . . .



source

And of course we can't forget tulle is used under your dress usually atop crinoline to get the bouncy effect of volume. The images above adds some color to the mix. Trendy now is layering different textures and tones under the gown to create something visually stunning when you move . . . This inspiration board was emailed to me via a client who wants to jazz up the look underneath her dress.



Spose di Gio

The Spose di Gio gown above is signature. Many di Gio gowns are noted for the use of power netting on bodice and sleeves. Power net is also known as tulle and illusion. While Vera Wang didn't invent illusion necklines and sleeve treatments, she did introduce the bridal industry to a more comfortable, less scratchy version that allows for freer movement. Power netting once used by ice skaters and dancers, is now standard for see-through tops and tight sleeves on bridal wear.




Thanks Vera . . . .



David Fielden



No ladies, its not impractical to plan for a tulle gown if you're getting married in late Fall or Winter. While tulle does have that ethereal persona of Spring, it whips up nicely into a Winter Wonderland style fantasy like the David Fielden stunner above. Remember, all it really takes to winterize the skimpiest of gowns is a few really great accessories like a warm wrap, a muff and gloves.

So what more could you ask for . . .?




What could say bridal more than a cloud of soft tulle? Defined, tulle is a fine mesh netting with a hexagonal pattern that comes in silk, cotton, nylon or acrylic/silk for power netting. Tulle is familiar because its the standard material for bridal veils. But did you know it comes in lighter versions and is used in bouffant skirts. The one pictured above proffers that ballerina look Vera Wang popularized a few years back? While the big tulle skirt is classic, edgier versions of late suggest special effects like draping, ruching and pick-up treatments over more modified skirt silhouettes. There are many different tulles and uses of it. Below are some stunning examples.



Vera Wang



Vera Wang loves tulle. This confection is swathed in white tulle over pink rose appliques to look like a parfait. Joyce Young

Florals applied to a tulle skirt and bodice
.
Next three photos show the variations on embroidered tulles
Elie Saab

Donna Salado

Another pink confection using yards of lightweight pink tulle.







David Fielden





The ecru tulle here covers the dress with two different applications: the top is draped and ruched; the skirt, gathered . . .Even the Kronishka on top has small tulle ruffles . . .



Scott Williams Photography
Gown by Amy-Jo Tatum

A hook-on and off tulle overskirt


Jasper Conran

Just the wrap here is tulle. . . .


source

This gorgeous mantilla is tulle bordered with Chantilly lace

Hat by Amy-Jo Tatum



Tulle isn't just for veils. This horsehair picture hat is wrapped entirely in it . . .



source

And of course we can't forget tulle is used under your dress usually atop crinoline to get the bouncy effect of volume. The images above adds some color to the mix. Trendy now is layering different textures and tones under the gown to create something visually stunning when you move . . . This inspiration board was emailed to me via a client who wants to jazz up the look underneath her dress.



Spose di Gio

The Spose di Gio gown above is signature. Many di Gio gowns are noted for the use of power netting on bodice and sleeves. Power net is also known as tulle and illusion. While Vera Wang didn't invent illusion necklines and sleeve treatments, she did introduce the bridal industry to a more comfortable, less scratchy version that allows for freer movement. Power netting once used by ice skaters and dancers, is now standard for see-through tops and tight sleeves on bridal wear.




Thanks Vera . . . .



David Fielden



No ladies, its not impractical to plan for a tulle gown if you're getting married in late Fall or Winter. While tulle does have that ethereal persona of Spring, it whips up nicely into a Winter Wonderland style fantasy like the David Fielden stunner above. Remember, all it really takes to winterize the skimpiest of gowns is a few really great accessories like a warm wrap, a muff and gloves.

So what more could you ask for . . .?


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