SUZIE AND IAN'S YOSEMITE WEDDING

SUZIE AND IAN'S YOSEMITE WEDDING

My favorite weddings are those where a bride gets married in a dress I designed.  Suzie's version of my MARISOL dress is one I'll never forget.  The details are so simple: A silk chiffon and Georgette dress.  Add navy shoes and sash rating the overall look magnificent.  She replaced the self belt with the navy blue silk ribbon to pick up the blues in her bouquet composed mostly of wildflowers.  With this easy change she made the dress truly her own.  Naturally I was wowed once these pictures of Suzie and Ian started coming in a few weeks back.  Shot by photographer Patrick Pike against the backdrop of Yosemite National Park, this sweet and private ceremony couldn't have been more intimate.  Just a few friends and family . . . .

CREDITS

Photographer: Patrick Pike Studios

Dress: Amy-Jo Tatum Bride

Hair and Makeup:Bellissimo

Officiant: Rev. Carol Dewey

My favorite weddings are those where a bride gets married in a dress I designed.  Suzie's version of my MARISOL dress is one I'll never forget.  The details are so simple: A silk chiffon and Georgette dress.  Add navy shoes and sash rating the overall look magnificent.  She replaced the self belt with the navy blue silk ribbon to pick up the blues in her bouquet composed mostly of wildflowers.  With this easy change she made the dress truly her own.  Naturally I was wowed once these pictures of Suzie and Ian started coming in a few weeks back.  Shot by photographer Patrick Pike against the backdrop of Yosemite National Park, this sweet and private ceremony couldn't have been more intimate.  Just a few friends and family . . . .

CREDITS

Photographer: Patrick Pike Studios

Dress: Amy-Jo Tatum Bride

Hair and Makeup:Bellissimo

Officiant: Rev. Carol Dewey

ILLUSIONS OF GRANDEUR

ILLUSIONS OF GRANDEUR

Amy-Jo Tatum Bride

A very happening 2012 trend is the illusion neckline. I for one love the look of sheer necklines and sleeves and am planning on adding a least five more of these dresses to the collection over the next few months.  Popularized in the 1950s this style allowed modesty as well as showing some skin, albeit opaque but sexy and demure. These days illusion is found in a few varieties of sheer fabric: tulle, power netting, organza and chiffon to name a few. Designers are using softer and stretchier fibers for the max in comfort . . .

What's your spin on this? Would you like a sheer and almost naked look to your net top or more opaque like an ice skater would wear . . . .?

Amy-Jo Tatum Bride

A very happening 2012 trend is the illusion neckline. I for one love the look of sheer necklines and sleeves and am planning on adding a least five more of these dresses to the collection over the next few months.  Popularized in the 1950s this style allowed modesty as well as showing some skin, albeit opaque but sexy and demure. These days illusion is found in a few varieties of sheer fabric: tulle, power netting, organza and chiffon to name a few. Designers are using softer and stretchier fibers for the max in comfort . . .

What's your spin on this? Would you like a sheer and almost naked look to your net top or more opaque like an ice skater would wear . . . .?

OH LA LA!

OH LA LA!

How I love organzas, tulle, crinolines and organdy with a mix of laces thrown in for good measure.  Put it all together and you have some really serious Oh La La! happening.  I lucked out recently when I met up with Natalie, the model in this series who has studied ballet all her life.  Put her in my dresses (inspired by the 1950s, Dior, Giselle, La Sylphide, and Swan Lake) and she just seems to float even in still photographs . .

The beauty of the 'Beatrix' Dress above is in the silhouette.  A full circular skirt and layers of tulle give the dress its hourglass shape.  Gardenias add a touch of romanticism and top off the ballerina look . . . .

Above and Below: Feeling frou frou?  The A-lined  'Gigi' Dress in an embroidered organza topped off with a tulle uber-pouf  is the perfect froth for Oh La La! weddings. . .

 

Above: The White Rose Fascinator is just the right head chic to mix up with satin, embroidery, tulle, crinoline and lace.  What beautiful movement . . . .

Below: A ballgown silhouette in embossed file is accented with and embroidered taffeta sash and silk dupioni headpiece . . . . 

 

 
 Above: The look of a traditional bride in a bouffant gown paired up with a hand embroidered belt . . .


Credits:
Photography by Bride Chic 2012
Gowns by Amy-Jo Tatum Bride

How I love organzas, tulle, crinolines and organdy with a mix of laces thrown in for good measure.  Put it all together and you have some really serious Oh La La! happening.  I lucked out recently when I met up with Natalie, the model in this series who has studied ballet all her life.  Put her in my dresses (inspired by the 1950s, Dior, Giselle, La Sylphide, and Swan Lake) and she just seems to float even in still photographs . .

The beauty of the 'Beatrix' Dress above is in the silhouette.  A full circular skirt and layers of tulle give the dress its hourglass shape.  Gardenias add a touch of romanticism and top off the ballerina look . . . .

Above and Below: Feeling frou frou?  The A-lined  'Gigi' Dress in an embroidered organza topped off with a tulle uber-pouf  is the perfect froth for Oh La La! weddings. . .

 

Above: The White Rose Fascinator is just the right head chic to mix up with satin, embroidery, tulle, crinoline and lace.  What beautiful movement . . . .

Below: A ballgown silhouette in embossed file is accented with and embroidered taffeta sash and silk dupioni headpiece . . . . 

 

 
 Above: The look of a traditional bride in a bouffant gown paired up with a hand embroidered belt . . .


Credits:
Photography by Bride Chic 2012
Gowns by Amy-Jo Tatum Bride

WHAT'S NEW IN THE GOWN GALLERY?

WHAT'S NEW IN THE GOWN GALLERY?

The BEATRIX dress is a 2011 addition to the Dioresque Collection.  With a bodice of embroidered organza, the full underskirt and five layers of tulle skirt are cut on the bias with the top layer gathered.   The waist is cinched by a silk satin ribbon belt accented by a row of white silk hydrangeas.   This dress goes great with the TRILBY fascinator out of embroidered organza and Venise lace.  Available through Amy-Jo Tatum Bridal

The BEATRIX dress is a 2011 addition to the Dioresque Collection.  With a bodice of embroidered organza, the full underskirt and five layers of tulle skirt are cut on the bias with the top layer gathered.   The waist is cinched by a silk satin ribbon belt accented by a row of white silk hydrangeas.   This dress goes great with the TRILBY fascinator out of embroidered organza and Venise lace.  Available through Amy-Jo Tatum Bridal

WHAT'S NEW IN THE GOWN GALLERY?

WHAT'S NEW IN THE GOWN GALLERY?

 

Make-up by Pretty Girl

 Meet YOLANDA.  Inspired by an old MGM musical, this dress is layered in yards of tulle and crinoline. The bodice is a close fit covered in Chantilly lace appliques with an overlay of shirred tulle.  The rosy tint of the tulle is the result of a tea dye.  I cinched the waist with a gray satin belt.  This dress is available via special order through Amy-Jo Tatum Bridal

 

 

 

Make-up by Pretty Girl

 Meet YOLANDA.  Inspired by an old MGM musical, this dress is layered in yards of tulle and crinoline. The bodice is a close fit covered in Chantilly lace appliques with an overlay of shirred tulle.  The rosy tint of the tulle is the result of a tea dye.  I cinched the waist with a gray satin belt.  This dress is available via special order through Amy-Jo Tatum Bridal

 

 

WHAT'S NEW IN THE GOWN GALLERY?

WHAT'S NEW IN THE GOWN GALLERY?

Meet 'Madelyn' the newest addition to the Dioresque collection. I set out to create this dress as a near perfect hourglass as I could get.  The bodice is made up of Chantilly lace under shirred tulle atop a tea-dyed tulle gathered skirt. And of course, loads of volume underneath.  Because this dress has an ecru underlining, there's a cast of pink, and beige undertones.  The waist is cinched with a gray satin tie belt.  

The back closure is a tape of hooks and eyes (dyed to match), a bit outside the box from the traditional row of buttons down the back . . . .

Meet 'Madelyn' the newest addition to the Dioresque collection. I set out to create this dress as a near perfect hourglass as I could get.  The bodice is made up of Chantilly lace under shirred tulle atop a tea-dyed tulle gathered skirt. And of course, loads of volume underneath.  Because this dress has an ecru underlining, there's a cast of pink, and beige undertones.  The waist is cinched with a gray satin tie belt.  

The back closure is a tape of hooks and eyes (dyed to match), a bit outside the box from the traditional row of buttons down the back . . . .

SALUTE TO CHRISTIAN DIOR

SALUTE TO CHRISTIAN DIOR

Christian Dior revolutionized fashion in 1947 with his “New Look”, a 180 turn out of the gray days of fashion following WWII.  Once restrictions lifted on fabric post war, Dior had the freedom to introduce the hourglass silhouette, showing off a cinched waist atop skirts flowing in yards of silks and layers of crinoline. Recently this defined  waist has made a come back and brides are loving it.

 A ball gown can be as romantic a confection as those seen in the corps de ballet, flowing in swirls of white tulle like the gowns above  Thus, sweeping skirts equal sweeping entrances especially awesome on brides who know how to work their strut.



Chantilly lace under shirred tulle makes for a delicate and gossamer look on this bodice.  The waist is cinched with a gray satin belt over  yards of tulle skirt

More Chantilly lace, tulle and shirring, this dress has the added gauntlets.  White rose petals are dappled over the full skirt . . . 

Ivory lace and charmeuse evening gown silhouette has a lace cummerbund and added lace side drape.The pancake hat with tulle veil is one of the signatures of Doir era head wear

Gowns and head wear by Amy-Jo Tatum Bridal Couture

Make-up by Pretty Girl Make up

Christian Dior revolutionized fashion in 1947 with his “New Look”, a 180 turn out of the gray days of fashion following WWII.  Once restrictions lifted on fabric post war, Dior had the freedom to introduce the hourglass silhouette, showing off a cinched waist atop skirts flowing in yards of silks and layers of crinoline. Recently this defined  waist has made a come back and brides are loving it.

 A ball gown can be as romantic a confection as those seen in the corps de ballet, flowing in swirls of white tulle like the gowns above  Thus, sweeping skirts equal sweeping entrances especially awesome on brides who know how to work their strut.



Chantilly lace under shirred tulle makes for a delicate and gossamer look on this bodice.  The waist is cinched with a gray satin belt over  yards of tulle skirt

More Chantilly lace, tulle and shirring, this dress has the added gauntlets.  White rose petals are dappled over the full skirt . . . 

Ivory lace and charmeuse evening gown silhouette has a lace cummerbund and added lace side drape.The pancake hat with tulle veil is one of the signatures of Doir era head wear

Gowns and head wear by Amy-Jo Tatum Bridal Couture

Make-up by Pretty Girl Make up