
'Oriana' slid off the work table just in time for all those autumn/winter weddings. This is a lovely ecru brocade-faille sheath with a detachable train of the same fabric. Three hand-rolled satin florals sit on top of a gray satin sash that ties in back. Ideally this could be worn with a wrap and long opera gloves.



Inspiration for this gown comes from the sheath/ ball gown combo Givenchy designed for Audrey Hepburn in
Sabrina. Although I didn’t use this 1950s pattern below, the lines I found in it motivated me to create Orianna in brocade; they used to use heavier fabrics for leaner silhouettes.


Here’s the brocade close up. It’s luxurious and has a real stunning sheen to it. I especially love the embossed motifs.
Post a Comment